{"id":47,"date":"2016-08-16T15:29:01","date_gmt":"2016-08-16T13:29:01","guid":{"rendered":"http:\/\/alexlecuiller.com\/?page_id=47"},"modified":"2025-06-12T19:50:59","modified_gmt":"2025-06-12T17:50:59","slug":"bio","status":"publish","type":"page","link":"https:\/\/alexlecuiller.com\/index.php\/bio\/","title":{"rendered":"Bio"},"content":{"rendered":"

 Alexandra L\u00e9cuiller <\/b><\/span><\/h1>\n

 <\/p>\n

French, born in Bordeaux, FR in 1985. Lives and works between Paris and Brussels.<\/b><\/span><\/span><\/span><\/h3>\n

2025
\n<\/span><\/b><\/span><\/span><\/span><\/span>\/Participates to the International Federation for Theatre Research<\/strong> annual conference<\/span> in K\u00f6ln, DE<\/strong><\/span> with her paper Carnival, a dupe game with morality<\/em>.
\n<\/span><\/span><\/span>\/ Participates to the conference program and group show Hors Cadres<\/em> at the Academie Royale des Beaux-Arts de Li\u00e8ge, BE<\/span><\/strong> for the PhD research day of the ED20, Art and Sciences of the Arts
\n\/Takes part to the mobility program Artistic Research within European Diversities<\/em>, at UMPRUM, Academy of Arts, Architecture and Design in Prague, CZ<\/span> <\/strong>in collaboration with ENSAV- La Cambre
\n<\/span><\/span><\/span>\/ Shows her performance Brussels Voice Phenomena<\/em>, during the Festival Trouble<\/em><\/span><\/strong>  curated by Antoine Pickels at La Raffinerie, <\/strong><\/span><\/span><\/span><\/span>Brussels, BE<\/strong>
\n<\/span><\/span><\/strong><\/span>\/ In the framework of her PhD, is offered a research residency at Maison Po\u00e8me, <\/span><\/strong><\/span><\/span><\/span>Brussels, BE<\/span><\/span><\/span><\/strong><\/h3>\n

2024
\n<\/span><\/b><\/span><\/span><\/span><\/span>\/ Publication of the article The<\/span> intelligent<\/span> voice<\/span>. The<\/span> ability<\/span> to<\/span> redefine<\/span> space<\/span>–time<\/span> boundaries<\/span><\/em> in the review F<\/span><\/em>acettes<\/em>, edited by 50\u00b0 nord-3\u00b0est\/p\u00f4le arts visuels Hauts-de-France & territoires transfrontaliers, FR-BE<\/span><\/strong><\/span><\/span><\/span>
\n<\/span><\/span><\/span><\/b>\/ Is offered a research residency at KANAL, Centre Pompidou, <\/span><\/strong><\/span><\/span><\/span>Brussels, BE<\/span><\/span><\/span><\/strong>
\n\/ Elected as boarrd Member of the Ecole Sp\u00e9ciale d’Architecture<\/span><\/strong>, Paris, FR<\/span><\/span><\/span><\/span><\/h3>\n

2023
\n<\/span><\/b><\/span><\/span><\/span><\/span>\/ Starts her PHD Research ” How to make a work of art out of oral archive ? Recorded voices and performed interpretations ” at the National High School of Visual Arts – La Cambre, <\/span><\/strong><\/span><\/span><\/span>Brussels <\/span><\/span><\/span><\/strong>and the Universit\u00e9 Libre de Bruxelles<\/span><\/strong>, BE.<\/span><\/span><\/span><\/span><\/h3>\n

2022<\/span>
\n<\/b><\/span> \/ Group show Occupy #3 Networks<\/i> at the Consulate of France in New-York City, USA<\/b><\/span>, <\/span>curated by Francois-Thibaut Pencenat<\/span><\/strong>.
\n<\/span><\/span><\/span>\/ Group show <\/span>Petites coupures<\/i> at La Maison de l’Ours, Paris, FR<\/span><\/strong><\/span> on the invitation of Kristina Solomoukha and Paolo Codelupp<\/span><\/strong>i.<\/span><\/span><\/h3>\n

2021<\/span>
\n<\/b><\/span> \/ Starts teaching Visual Arts at <\/b>\u00c9cole Sp\u00e9ciale d\u2019Architecture, Paris, FR<\/b>.<\/span><\/span><\/span><\/span><\/h3>\n

2020<\/span>
\n<\/b><\/span> \/ Laureate of the \u00ab exceptional grant \u00bb from the Centre National d\u2019Art Plastique, FR<\/span>
\n<\/b><\/span><\/span><\/span><\/span>\/ Setlles her studio in Paris suburb,<\/span> Aubervilliers, FR.<\/b><\/span><\/h3>\n

2019<\/b><\/span>
\n<\/b><\/span><\/span><\/span>\/ Solo Show at the <\/b>Franz\u00f6sisches Kulturinstitut Wien, AU<\/b><\/span> <\/b>of the series of photographs Dates and other debts<\/i>, (december 2019- january 2020.)
\n<\/span><\/span><\/span>\/ Laureate of the international exchange between the city of Paris, FR and the city of Vienna, AU<\/span><\/strong><\/span> <\/span><\/strong>for a two months residency at the Alteschmiede Kunstverein, Vienna, AU<\/span><\/strong><\/span>.<\/span><\/span><\/strong>
\n<\/span>\/ Shows her performance <\/span>Mythologies de la Dette<\/i> featuring Christophe Brault and Chlo\u00e9 R\u00e9jon at the Silencio club, Paris, FR<\/span><\/strong>, <\/span>on februray 20th.<\/span><\/h3>\n

2018<\/b><\/span>
\n<\/b>\/ Is invited by Nina Childress to lead a workshop Creative Commons<\/i> at the National Design & Fine Art School of Nancy, FR<\/b>.<\/span>
\n<\/span><\/span><\/span>\/ Shows her performance <\/span>Mythologies de la Dette<\/i> featuring Christophe Brault and Chlo\u00e9 R\u00e9jon at the National Theater of Brittany in Rennes, FR<\/span><\/strong><\/span> at Patrick Boucheron\u2019s invitation on november 7th.
\n<\/span>\/ Shows her video <\/span>Deaf & Dumb<\/i> for the show PUBLIC POOL #5 at the Cit\u00e9 internationale des arts in Paris, FR, <\/span><\/strong><\/span>curated by Jean-Christophe Arcos, Madeleine Filippi, and Marie Gayet for<\/span> CEA, Associated Exhibition Curators<\/span><\/strong><\/span><\/h3>\n

2017<\/b><\/span>
\n<\/b>\/ Spread on the web artist Radio *DUUU<\/b><\/span>, Deaf & Dumb<\/i> and Why dogs can\u2019t speak<\/i> at Marianne Derrien\u2019s invitation.
\n<\/span><\/span><\/span>\/ Participates with a visual contribution to Histoires de la minute de silence with Patrick Boucheron, Christophe Brault and M\u00e9lanie Traversier\u200b \u200bat the Th\u00e9\u00e2tre de la Colline, Paris, FR.<\/span><\/strong> <\/span><\/h3>\n

2016<\/b><\/span>
\n<\/b> \/ She participates to the first International Festival of Bagnolet, FR<\/b><\/span> with her video Why dogs can\u2019t speak<\/i>, at Kristina Solomoukha\u2019s invitation.<\/span><\/span><\/span><\/h3>\n

2015<\/span>
\n<\/b><\/span> \/ She is the first french person offered to join the Gallerist program at the De Appels <\/b>Art Center, Amsterdam, NL<\/b><\/span>.
\n<\/span><\/span><\/span>\/ Self-publishes online her audio project on oral transmission Trust Issues<\/em> with the participation of Yair Barelli, Nina Childress, Charlie Jeffery, Laure Prouvost, Lili Reynaud-Dewar, Jean-Charles Massera, Kristina Solomoukha and Paolo Codeluppi.<\/span><\/h3>\n

2012<\/b><\/span>
\n<\/b>\/ Recieves a grant from the Italian Cultural Institut of Marseille, FR<\/b> <\/span>to study Italian language at Istituto Dante Alighieri, Roma, IT. <\/b><\/span><\/span><\/span><\/span><\/h3>\n

2010
\n<\/span><\/strong>\/Graduates her MFA at the<\/span><\/span>Fine Art School of Rennes, FR.<\/span>
\n<\/span><\/span><\/strong>\/Group show Silent Disco, curated by<\/span><\/span> Patricia Flemming at Rockin’Bonnes in Rennes, FR. <\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/span> <\/span><\/strong><\/span><\/h3>\n

2008<\/span>
\n<\/b><\/span><\/span><\/span>\/ <\/span><\/span>Takes part to the exhibition S&wich with <\/span><\/span>Ian Baxter& <\/span><\/span>for the first edition of the <\/span><\/span>Ateliers de Rennes, Biennale of Contemporary Art in Rennes, FR.<\/span><\/span><\/span><\/strong><\/span><\/span><\/span><\/h3>\n

:::::::::::::<\/span><\/h3>\n

Fran\u00e7aise, n\u00e9e en 1985 \u00e0 Bordeaux, FR. Vit et travaille entre Paris et Bruxelles.<\/b><\/span><\/span><\/span><\/strong><\/h3>\n

2025
\n<\/span><\/b><\/span><\/span><\/span><\/span><\/h3>\n

\/Participe \u00e0 la conf\u00e9rence annuelle de l’International Federation for Theatre Research<\/strong> \u00e0<\/span> Cologne, Allemagne<\/strong><\/span> avec son article Carnival, a dupe game with morality<\/em>.
\n<\/span><\/span><\/span>\/ Participe \u00e0 la journ\u00e9e de conf\u00e9rence Hors Cadres<\/em> \u00e0 l’Academie Royale des Beaux-Arts de Li\u00e8ge, Belgium<\/span><\/strong> pour la journ\u00e9e des doctorants ED20, Art et Sciences de l’art
\n<\/span><\/span><\/span>\/Participe au programme de mobilit\u00e9 Artistic Research within European Diversities<\/em>, at UMPRUM, Academy of Arts, Architecture and Design in Prague, CZ<\/span><\/strong> en collaboration avec l’ENSAV- La Cambre
\n<\/span><\/span><\/span>\/ Pr\u00e9sente sa performance Brussels Voice Phenomena<\/em> au Festival Trouble<\/span><\/strong>, Bruxelles sur une invitation d’Antoine Pickels \u00e0 La Raffinerie, Bruxelles, BE<\/span><\/strong>
\n<\/span><\/span><\/span><\/span>\/ Dans le cadre de son doctorat, b\u00e9n\u00e9ficie d’une r\u00e9sidence de recherche \u00e0 <\/span>Maison Po\u00e8me, Bruxelles, BE<\/span><\/strong><\/span><\/span><\/span><\/h3>\n

2024
\n<\/span><\/b><\/span><\/span><\/span><\/span>\/ Publie l’article La voix intelligente. une capacit\u00e9 \u00e0 red\u00e9finir les fronti\u00e8res spatio-temporelles.<\/em> dans la revue F<\/span><\/em>acettes<\/em>, \u00e9dit\u00e9 par 50\u00b0 nord-3\u00b0est\/p\u00f4le arts visuels Hauts-de-France & territoires transfrontaliers<\/span><\/strong><\/span><\/span><\/span>.<\/strong>
\n<\/span><\/span><\/span><\/b>\/ Dans le cadre de son doctorat, b\u00e9n\u00e9ficie d’une r\u00e9sidence de recherche \u00e0 KANAL, Centre Pompidou, <\/span><\/strong><\/span><\/span><\/span>Brussels<\/span><\/span><\/span><\/strong>.
\n\/Est \u00e9lue membre du Conseil d’Admnistration de l’Ecole Sp\u00e9ciale d’Architecture<\/span><\/strong>, Paris<\/span>.<\/span><\/span><\/span><\/h3>\n

2023
\n<\/span><\/b><\/span><\/span><\/span><\/span>\/ Commence sa th\u00e8se de doctorat ” Comment faire oeuvre de l’archive orale ? voix enregistr\u00e9e et interpr\u00e9tations perform\u00e9es ” \u00e0 l’Ecole Nationale Sup\u00e9rieure des Arts Visuels – La Cambre, <\/span><\/strong><\/span><\/span><\/span>Bruxelles<\/span><\/strong><\/span><\/span><\/span> <\/span><\/span><\/span><\/strong>et l’Universit\u00e9 Libre de Bruxelles<\/span><\/strong>, Belgique.<\/span><\/span><\/span><\/h3>\n

2022<\/span><\/span><\/span><\/b><\/span><\/span><\/span>
\n\/Exposition collective <\/span><\/span><\/span>Occupy#3 Networks <\/i><\/span><\/span><\/span>au <\/span><\/span><\/span>Consulat g\u00e9n\u00e9ral de France de New-York City, USA, <\/b><\/span><\/span><\/span><\/strong>curatoriat Fran\u00e7ois-Thibault Pencenat.<\/span><\/span><\/span><\/span><\/strong> <\/span><\/span><\/span>
\n<\/span><\/span><\/span><\/strong>\/E<\/span><\/span><\/span><\/strong>xposition collective <\/span><\/span><\/span><\/span><\/span>Petites coupures<\/i><\/span><\/span><\/span><\/em> \u00e0 <\/span><\/span><\/span><\/span><\/span>La maison de l’Ours, Paris, FR<\/b><\/span><\/span><\/span><\/strong> sur une invitation de Kristina Solomoukha et Paolo Codeluppi. <\/span><\/span><\/span><\/span><\/span><\/h3>\n

2021
\n<\/span><\/span><\/span><\/b><\/span><\/span><\/span>\/Commence \u00e0 enseigner les arts visuels \u00e0 <\/span><\/span><\/span><\/span><\/span>l\u2019\u00c9cole Sp\u00e9ciale d’Architecture, Paris, FR.<\/span><\/span><\/span><\/b><\/span><\/span><\/span><\/h3>\n

2020
\n<\/span><\/span><\/span><\/b><\/span><\/span><\/span>\/B\u00e9n\u00e9ficiaire de la bourse d’aide exceptionnelle du <\/span><\/span><\/span><\/span><\/span>Centre National d’Art Plastique, FR<\/span><\/span><\/span><\/b><\/span><\/span><\/span>.
\n<\/span><\/span><\/span><\/span><\/span>\/Installe son atelier \u00e0 la Maladrerie, Aubervilliers, FR.<\/span><\/h3>\n

2019
\n<\/b><\/span><\/span><\/span>\/Exposition personnelle \u00e0 l’<\/span><\/span>Institut Fran\u00e7ais d’Autriche, Wien, AU<\/b><\/span><\/span><\/span> de la s\u00e9rie de photographies <\/span><\/span>Dattes et autres dettes<\/i><\/span><\/span>, (d\u00e9cembre 2019- janvier 2020.)
\n<\/span><\/span>\/Laur\u00e9ate de l’\u00e9change entre <\/span><\/span>la ville de Vienne<\/b><\/span><\/span><\/span> et <\/span><\/span><\/span>la ville de Paris<\/b><\/span><\/span><\/span> pour une r\u00e9sidence de deux mois \u00e0 <\/span><\/span>AlteSchmiede Kunstverein \u00e0 Wien, AU<\/b><\/span><\/span><\/span>.
\n<\/span><\/span>\/<\/span><\/span>Pr\u00e9sentation de la performance <\/span><\/span>Mythologies de la Dette <\/i><\/span><\/span>au <\/span><\/span>Silencio, Paris, FR<\/b><\/span><\/span><\/span> le 20 f\u00e9vrier.<\/span><\/span><\/h3>\n

2018<\/b><\/span><\/span><\/span>
\n<\/b>\/Animation du workshop <\/span><\/span>Creative Commons<\/i><\/span><\/span> \u00e0 <\/span><\/span>l\u2019\u00c9cole Nationale Sup\u00e9rieure d’Art et de Design de Nancy, FR<\/b><\/span><\/span><\/span> sur une invitation d<\/span><\/span>e <\/span><\/span><\/span>Nina Childress<\/b><\/span><\/span><\/span>.
\n<\/span><\/span><\/span>\/Pr\u00e9sentation de la performance <\/span><\/span>Mythologies de la Dette <\/i><\/span><\/span>au <\/span><\/span>Th\u00e9\u00e2tre National de Bretagne, Rennes, FR<\/b><\/span><\/span><\/span> sur une invitation de <\/span><\/span><\/span>Patrick Boucheron<\/b><\/span><\/span><\/span>.
\n<\/span><\/span><\/span>\/Projection \u00e0 <\/span><\/span>PUBLIC POOL #5<\/i><\/span><\/span> \u00e0 la <\/span><\/span>Cit\u00e9 Internationale des Arts, Paris, FR <\/b><\/span><\/span><\/span>de<\/span><\/span><\/span> la vid\u00e9o <\/span><\/span>Deaf and Dumb<\/i><\/span><\/span> sur une proposition <\/span><\/span>d<\/span><\/span>e <\/span><\/span><\/span>Jean-Christophe Arcos, Madeleine Filippi, et Marie Gayet pour<\/span><\/span><\/span> Commissaires d’Exposition Associ\u00e9s<\/b><\/span><\/span><\/span>.<\/i><\/span><\/span><\/h3>\n

<\/i><\/b>2017<\/b><\/span><\/span><\/span>
\n<\/b>\/Contribution sc\u00e9nographique \u00e0 <\/span><\/span>Histoires de la minute de silence <\/i><\/span><\/span>propos\u00e9es par<\/span><\/span> Patrick Boucheron, Christophe Brault et M\u00e9lanie Traversier <\/span><\/span><\/span>au <\/span><\/span><\/span>Th\u00e9\u00e2tre de la Colline, Paris, FR.
\n<\/b><\/span><\/span><\/span>\/Diffusion sur la <\/span><\/span>radio web *DUUU<\/b><\/span><\/span><\/span>,<\/span><\/span> de <\/span><\/span>Why dog’s can’t speak<\/i><\/span><\/span> et <\/span><\/span>Deaf and Dumb<\/i><\/span><\/span>, sur une invitation de<\/span><\/span> Marianne Derrien.<\/span><\/span><\/span><\/h3>\n

2016
\n<\/b><\/span><\/span><\/span> <\/b>\/Participe au premier <\/span><\/span>Festival International de Bagnolet<\/b>, <\/strong><\/span><\/span>FR <\/span><\/span><\/strong><\/span>avec <\/span><\/span>Why dogs can\u2019t speak<\/i><\/span><\/span> sur une invitation de<\/span><\/span> <\/b>Kristina Solomoukha et Paolo Codeluppi<\/span><\/strong>.<\/span><\/span><\/span><\/h3>\n

2015<\/b><\/span><\/span><\/span>
\n<\/b>\/Admise \u00e0 <\/span><\/span><\/span>De Appel, Amsterdam,<\/b><\/span><\/span><\/span> NL<\/b><\/span><\/span><\/span> au programme galeriste.<\/span><\/span><\/span>
\n\/Auto-\u00e9dition en ligne de <\/span><\/span>Trust Issues <\/i><\/span><\/span>avec 7 artistes,<\/span><\/span> Ya\u00efr Barelli, Nina Childress, Charlie Jeffery, Jean-Charles Massera, Laure Prouvost, Lili Reynaud-Dewar, Kristina Solomoukha and Paolo Codeluppi. <\/span><\/span><\/span><\/h3>\n

2012
\n<\/b><\/span><\/span><\/span><\/span>\/ Re\u00e7oit une bourse<\/span><\/span><\/span> de l’Institut Culturel Italien de Marseille, FR<\/b><\/span><\/span><\/span><\/span> pour aller \u00e9tudier l’italien \u00e0 l<\/span><\/span><\/span>‘<\/span><\/span><\/span><\/span>Istituto Dante Alighieri, Roma, IT. <\/b><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/h3>\n

2010<\/b><\/span><\/span><\/span>
\n<\/span><\/span><\/span>\/Dipl\u00f4m\u00e9e du DNSEP, dipl\u00f4me national d’arts plastique de <\/span><\/span>l\u2019\u00c9cole Europ\u00e9enne des Beaux Arts de Rennes, FR <\/b><\/span><\/span><\/span>sous le tutorat de l’artiste<\/span><\/span> <\/b>Natacha Lesueur.
\n<\/b><\/span><\/span><\/span>\/Participe \u00e0 l’exposition <\/span><\/span><\/span>Silent Disco<\/i><\/span><\/span><\/span>, \u00e0 Rockin’bones, Rennes, FR sur une proposition de <\/span><\/span><\/span>Patricia Flemming.<\/b><\/span><\/span><\/span> <\/b><\/h3>\n

2008
\n<\/b><\/span><\/span><\/span>\/Participe \u00e0 l’exposition S&wich<\/em> avec Ian Baxter& dans le cadre de la premi\u00e8re \u00e9dition des <\/span><\/span><\/span>Ateliers de Rennes, biennale d’art contemporain, Rennes, FR<\/b><\/span><\/span><\/span> sous la direction de Rapha\u00eble Jeune.<\/span><\/span><\/span><\/h3>\n","protected":false},"excerpt":{"rendered":"

 Alexandra L\u00e9cuiller    French, born in Bordeaux, FR in 1985. Lives and works between Paris and Brussels. 2025 \/Participates to the International Federation for Theatre Research annual conference in K\u00f6ln, DE with her paper Carnival, a dupe game with morality. \/ Participates to the conference program and group show Hors Cadres at the Academie Royale […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/pages\/47"}],"collection":[{"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":96,"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":842,"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/pages\/47\/revisions\/842"}],"wp:attachment":[{"href":"https:\/\/alexlecuiller.com\/index.php\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}